As the possibility of the occurrence of hybridity in written translation was a heated discussion, it was not inconceivable to think about the occurrence of hybridity in subtitling, as a type of translation stemming from audiovisual family, as well. However, despite the important role of hybridity in movies as an instrument of globalization, the frequent types of manifestation through which hybridity exhibited in subtitles were not clear. This paper, being a summary of a comprehensive study based on a quite large corpus of 2400 minutes of movies, aimed at finding frequent manifestations of hybridity, either linguistic or cultural, in subtitles. The findings indicated that "Name and Date" was the most frequent manifestation of hybridity; and the majority of the hybrid elements were cultural. Contemporary intercultural communication was also the major factor in the production of these hybrid elements.
