In Safavid period, due to the carelessness of the first king Tahmasb, and coming of Humayun, the shah as an Iranian refugee, also his companionship with the artists and the second Tabriz’s school, has camped the emigration of some of them to another countries. As the Indian’s interest in miniature, has provided the makeup object in Iran, the Indian Mongolian kings were governing in the northern India and Dahen plateau in that time, the Iranian emigrated artists to India were all famous and ambitious and were taught miniature in their country very good. There was a great influence on the creation of the Iranian-Indian style. Most of the precious remaining from the Indian Gorkan were made by these artists or were by the influence of them. The aim of this research which is based on descriptive-historical method is considering the emigrated artists from the second Tabriz’s school to India and their painter influence in the country. The result of the research is that the artists causes the artistic interaction between Iran and India and created the Iranian-Indian style and were pictured the greatest picture book which is named Hamzeh Nameh.
